Words That Move Me with Dana Wilson
Ep. #13 “Winning Even When You’re Down” with Tiler Peck
Tiler Peck: https://www.instagram.com/tilerpeck/?hl=en
New York Times Article: https://www.nytimes.com/2020/02/13/arts/dance/tiler-peck.html
Words That Move Me Patreon: https://www.patreon.com/WTMMPodcast
Intro: This is words that move me, the podcast where movers and shakers like you get the information and inspiration you need to navigate your creative career with clarity and confidence. I am your host master mover Dana Wilson. And if you're someone that loves to learn, laugh and is looking to rewrite the starving artists story than sit tight, but don't stop moving because you're in the right place.
Dana: Hey everybody, and welcome to the podcast. I am so excited that you're here. I am very excited about this episode and I'm very excited to try something new for the beginning of every episode. Um, yeah, I think I'm gonna make a new habit. Tell me if you love it. Tell me if you hate it. I actually mean that. I want you to give me the feedback. So, uh, send me a message at words that move me podcast or we could do a little callback from episode seven and you can toe vote. Toe voting is a game nay an art form that my husband invented and I talked about in episode seven. I use this game when I'm going through the airport, but you can use it right now or all the time. Toe voting is, um, when you silently and invisibly vote in favor or against, um, someone's choices or behavior out there in the world. It is silent. It is invisible. It is just for you. But, uh, the toe vote works like this. Your little toes and your shoes will respond either by jumping up and down and approval or frowning and digging themselves into the floor. That's what a toe vote is. Um, we're back. My new top of the cast habit is called wins. Now, I did not invent the concept of starting with wins. Actually, I became familiar with this concept. Thanks to my acting teacher, Gary Imhoff who teaches the professional artists workshop here in Los Angeles. Cannot say enough great things about Gary. But, um, it's been awhile since I took an acting class. It's been awhile since I did wins and I cannot think of a better time to, uh, remind ourselves of the things that are going well then this very moment. So here is how wins works. I'll go ahead and start.
All right. I'm actually busier than I have ever been, which is ironic because I'm a person whose work almost exclusively depends on large groups of people. Um, but I'm getting to do a lot of things that I've always wanted to do. Number one, train more. It seems like a lot of people are offering Instagram live or otherwise livestreams classes. I think it's so much fun. It's very cool. Um, another win, I actually added curtains to my dance space, um, which required a sewing machine and a power drill, which usually gives me the nervous fields. Um, but because I had to use it for like an hour, I got really solid. I'm much more confident with my power tool skills right now than I was, uh, a week or so ago. Um, let's see, what else. Oh, also upgraded the Ram on my computer. Did that myself as well. Um, I also started a Patreon account for the podcast and it feel really, really good about this is the first time ever that I have opened up a membership option for any of my services. And I think it's very cool. It's uh, a way for you to get even more value out of this exchange and it's a way for you to help me by keeping the lights on the disco ball as it were. Uh, speaking of disco ball, I made one out of aluminum foil. It's hanging in my dance space, so that's also definitely a win. Um, okay. I think that's great. That's a really good start on wins for me. And now it is your turn to go. A win is just an answer to the question. What went well and I really am, I'm going to leave a gap here for you to fill in that blank on your Mark. Get set, go.
Maybe I'll play a little music for you so that it's not as awkward.
Okay, great. I'm not just saying that wins are important because we're having a tough patch. Is that safe to say? We're, this isn't the a high point of civilization. We're not at our pinnacle right now. This isn't our best performance, I would say. But I'm also saying it's not all destroyed. I'm saying the sun comes up and the sun sets and we wake up and we go to sleep and somewhere something went well. So let's share it for ourselves at very least to ourselves. But even to someone else, I think it'd be a good practice to start a wins group. This is my wins group. Thank you for joining me. Speaking of winning, I see you daily doers out there and I honestly am so inspired. I am. I, it's always a treat to see what you guys are daily doing. If you are new to the podcast, please circle back to episode one and have a listen as I pose a daily creative challenge to all of you out there. I think this is a perfect time for it. I think oftentimes great restraint breeds great choreography that too. Um, but great restraints can cause great creativity. So please keep it up. Um, keep tagging your videos with the hashtag doing daily. WT M M the doing is the important part. So it comes first hashtag #doingdailyWTMM go take a look at that hashtag as well. You're going to find some super treats. Um, okay. Moving right along. I am thrilled about this episode. Um, I had a conversation with a good friend of mine, Tiler Peck, principal ballerina for New York city ballet and all of the things she had to say I find so applicable and so valuable in a time like this. She talks about injury, she talks about training, she talks about family, she talks about the most challenging time of her life and she talks about finding herself and her strength within it. So without any further ado, enjoy this conversation with Tiler Peck.
Dana: Yes! Tiler, thank you so much for being here first and foremost today. It is a special time. It is a crazy time. Mmm. And it's just very cool to see your face and hear your voice
Tiler: Thanks for having me.
Dana: Let's start with having you introduce yourself. How do you like to introduce yourself?
Tiler: All right. Now let me just say I'm Tyler Peck and I'm in principal ballerina with New York city ballet.
And that is enough, my lady. Um, okay, cool. So you and I actually in years, years passed our timelines, our dance timelines overlapped when we were little NYCDA competition kid. Um, and I find something very interesting is very few of those Danclings pursue classical ballet and even fewer wind up in soloists roles and fewer still in principal roles. I think that speaks so much to your training but also to your talent and your drive. And I want to spend some time talking about that. So could you talk a little bit about your pre-professional training and uh, even before you and I met maybe a little bit during that timeline and then before going to the company,
Of course, I think that I am just as shocked that I became a ballerina's probably like anybody else. I know Joe actually, Joe Lanteri always says like, I mean she can do ballet, but if you ever saw her do like jazz, then you would really see it. It's the truth. I never thought I'd be a ballerina. I grew up first in my mom's school in Bakersfield, California, and you know, her, her dance school, it has every style. So I grew up doing jazz. I was really bad at tap, so I can't say that I ever really was good at that. But, um, jazz, contemporary, lyrical, hip hop, gym, you know, everything. I did everything and I did take privates. She did have me take, um, ballet privates with this, um, Russian teacher who actually is from California. Her name is Alla i and I believe the last name is Khaniashvil or something like, and she was a former principal, the Bolshoi ballet and they were my least favorite classes. Not because she wasn't a good teacher. It just took the most discipline. Like I think ballet, when you're younger it's really hard because it takes the most focus just because you don't get to dance to feel good music, you know, like a song that you love or a word that you can like relate to. It's like classical music is sometimes honestly a little boring and especially when you're younger. So I'd always try to get out of my ballet classes. I tell him I'm, Oh, I think when they feel sick today, I don't think I should do ballet. And she'd be like, okay, well then if you're sick for ballet, you're also sick for jazz. And I would say, Oh, I think, I think I'm feeling better. I think I'm better now. So I'm glad that made me stick with it. Cause clearly I wouldn't have made it as far in the ballet company. But, um, what took me to New York was getting the Music Man on Broadway and Mmm, that was just because, you know, in California, I, I did lots of commercials and like more commercial dance and theater. And so when my agency, um, sent me to New York to audition, my mom was like, we're not going in New York. And I said, mom, let's just go. And she goes, okay, we'll just make it a fun trip. No pressure. You know? And I ended up getting it. And then she was like, you're definitely not moving to New York. And I said, but mom, what if I never get this opportunity ever again, and you, you didn't let me go. And she was like..
Ooooh! The guilt trip!
I know. And I was only 11! Yeah. So that was kind of what made me go to New York. And then from there I started taking at the school of American ballet, which is the company that feeds into the New York city ballet. And that was the first time where I ever felt like, wow, ballet is actually really interesting. And I think it was the Balanchine like technique style that I really, really love because it is a little bit jazzier and you know, all of a sudden didn't seem so boring. And I was like, I also didn't feel like I was really good at it. Like I felt like I looked like a jazz dancer trying to do ballet and I was like determined to not be that one that they were like, Oh, she's just from the jazz world. You know? I was like, no, I'm going to get this. Then it'd be a ballerina. And I've always kind of been like that. Like, where if something isn't easy, that's like the route I go, I'm like, you know what, I'm going to do this and I'm going to be a ballerina. And that's kind of what happened.
I love this. It's actually one of my questions later down the, the stream that it was going to ask it, has it always been ballet and will it always be ballet? So now I know it hasn't always been, but do you see like what is future Tiler? Is she like a tango dancer or ballroom or is she strictly choreography? Do you, do you think about her a lot?
I mean, I love ballroom actually. Like I don't know it, but I Mmm. It was on a gig once. Then this ballroom dancer like took me on the dance floor just at the after party and I was like, this is literally the coolest thing ever. Like he made me feel like I'd been taking ballroom forever, but I don't think that that's going to be my route. Um, but no, I definitely want to always other things. I, I don't think I want to do, um, ballet for a very long time. I thought this is when I should do this because it's such a young career. So I got into the company at 15 and you know, I've already been in the company 16 years. I'm 31 and I've never really wanted to be someone like in my mid forties still in point shoes. I always kind of want to leave when I can still do everything in such a classical company. But then I would love to do like, you know, theater or choreograph or something like that and move back into you know, not doing just classical ballet. Um, but I just felt like this was the time for me to do it. If I was going to do ballet, I was going to pursue ballet this was the time.
Got it. But you do also pursue these other avenues even now, a little bit of acting, a little bit of choreographing. Um, do you want to talk about any of those?
Yeah, I mean, I think because I did grow up in California and you know, I did do a lot of acting and stuff like the story ballets at New York city ballet the most for me just because you get to tell a story, we don't use your voice. But, um, that's why when Susan's Stroman like talks to me about doing this new musical that's coming out, um, to be the lead and that I've kind of been a part of for like 10 years. Um, it was kind of the perfect thing for me because it has ballet, it's about a ballerina. I get to carry this show, so I'm have to. Mmm. Basically I'm on stage for two and a half hours singing, acting and dancing. So it's like, it was like such a challenge for me and I was like, I haven't used my voice and like 10 years, but let's try it, you know? Yeah. And also when I just got through this injury, I use that as a lot of time to do other things like choreograph and you know, do a few acting. Mmm. Acting jobs on TV shows and things. So it was a good time to make my mind. It was like a forced time to, to do everything you love because I had the time and I love it. Mmm. With my New York city ballet crazy schedule.
Cool. That is a, I think an excellent segue. I couldn't have written that myself. I'm talk about being forced into certain things or away from certain things. Um, I would love to talk to you more about the type of training that you're used to and how different your life is now that we are in, um, I'm going to use the word lockdown. It's not technically a lock down, at least here in California. We're both in California right now. So I guess what I'm asking is what is the importance of training to you? And if you could actually be interesting to hear a day in the life of principal ballerina, how much of that is training, how much of that is performing and what are you doing right now when we don't have that, or our traditional flow.
Yeah. So every day we work every day, but Monday just kind of like Broadway schedules. Um, but we're training all day. It's not like a Broadway show where one gets up, You're just performing at night. Mmm. We start class at 10 30. They have class every day for an hour when we're in season and then they can rehearse us from 11:30 to 6:00 and then they show at 8:00. We do that Monday, Tuesday, Wednesday, Thursday, Friday we had two shows on Saturday. And then on Sunday we have class at 10:30 they can rehearse us It's for like three hours and then the matinee. So it's crazy. Yeah. By the time you get to the show, a lot of times you say to yourself, I'm so tired. I literally don't know what's going to happen right now. Sometimes that's when you do your best performances because you don't have the nerve because you just don't have the energy for them and you just, you know, so grounded. But yeah, so I'm used to dancing all day long and um, right now in order to, to keep that up, I've been taking class every day. You know, my mom has a dance studio, so it'd be really easy for me just to go down there. But Mmm. You know, I've been listening also to what they're saying, like stay at home and she shut her studio. And so I've just been doing classes in my mom's kitchen and using her kitchen countertop as my bar. And I just thought, you know, I'm going to do this every single day for myself because I have to keep my training up. So I thought, why don't I open it up and let people take with me on Instagram live. And I did it the first day and I was like, you know, let's just see if anybody liked it. Then it seems like a really big thing and everybody's really looking forward to it, I think during the day. So I thought, you know, if I'm going to keep up my training, I might as well let everybody do it with me because I'm sure so many people are missing being in their dance studios. And it's hard to get motivated when you're just doing it by yourself. I mean I just came off of a huge injury where I was off for six months and I couldn't do anything. And then it took me, you know, like another probably three months to get back and I had to do class every single day and I did it with a teacher because I needed somebody to be motivating me. And so that's what I thought is like if I do these live classes, at least somebody can. I can be, you know, I could be leading the class and trying to motivate these people to keep moving so they're not having to do it by themselves. Cause that's hard.
It is. It's so hard. Yeah,
It's keeping me accountable too. I feel like because if I were doing it myself maybe it would skip combinations or do it at different times or, and this is like, no, it's an hour every single day or Monday through Saturdays.
People show up for class.
Yes, people show up. So
I took, I've taken a couple, um, I was there, I think I was there on day one. I'm not sure if I was there.
You were there day one!
I was a day one or I have not been in everyday or a more a more often dayer or I think finding some sort of normalcy in a day is valuable. Um, but I love the normalcy. I love the sharing and I love the accountability. All of these things to me are what the internet has always been good at. Sharing information, finding solutions to urgent problems and connecting and we're really, we're using it for that.
Yeah, it's true.
Dana: Okay. Tiler and I talked about the silver linings of this Corona virus crisis situation for quite a while, but I wanted to take a second and pop out to reflect on her training regimen and man! Hearing about the day that Tiler goes through. Made me want to up my training regimen. That is for sure and actually reminded me of episode 9 when I spoke with Jason Bonner who says if your show is two hours long then you're training for three or in Tiler's case if your show is two hours long, you're training for the remaining eight hours. Hearing about this honestly made me want to up my game and it reminded me of a saying, you will not rise to the occasion. You will fall to your level of training, so train up everybody train up, now is a perfect time.
We're going to jump back and talk a little bit more about training with Tiler, but we're also going to talk about the injury that put her through the most challenging time of her life. Tiler wasn't just unable to dance or train. She was unable to execute normal daily tasks like turning her head or lifting her arm for five months. To get even more backstory about that injury and her road to recovery. I strongly recommend you read the New York times article called Am I more than just a dancer? I will link to it on the website, theDanaWilson.com/podcast under this episode, which is episode 13 but I'm also just Google the New York times and Tiler Peck and you will probably find it. Am I more than just a Dancer? Fabulous read. Okay, let's jump back in.
Dana: Okay, so if you went five months, we can definitely do several weeks. My question for you is this, how does one go from five months of not even doing normal range of human motion stuff? To Sugarplum. Was that your first performance back?
Tiler: Yeah, it was sugarplum because I did everything with every other part of my body that I could work out, so like I couldn't ride a bicycle because they've thought that was too much.
Dana: This was a neck injury right?
Yeah, a herniated disc in my C-5-6 which is the neck and mine was so severe that it was touching my spinal cord and we all know that like that's not good. So I had to wait and I was told I would like never dance or could be paralyzed if I was walking and got slightly pushed. I mean I went through a roundabout. Mmm, very scary time. But I had this one physical therapist who just, I like literally trust my life, who's the New York city ballet doc therapist. And she just kept saying, I don't know, I just don't feel like you need the surgery like they're saying. And we just kept searching and searching. But she, I met with her every single day and we just did like cranial sacral work and I met with an energy healer. And so we were healing my body kind of from like the inside out, you know, she made me wear my point shoes around the house every single day so that my toes and my feet would be strong. And then we actually started, she made me keep my bottom half working. You know, I’d do relevés me and my point shoes, I do a little moving. I just wouldn't move my arm or my neck. So yeah. So she was really smart with the way that she brought me back and I really don't know what I would've done without her. And um, Rob, who's the energy healer. But yeah, it was all about finding what, how I could stay in shape without doing anything to hurt my neck so that it could heal.
Right. The healing is so, so, so important. Um, what did you learn about yourself during that period while you were know..
Yeah. I mean the energy healer is an hour and a half session that I did every single Wednesday and 45 minutes of that hour is just talking. And so you start to learn a lot about yourself, about where your stresses are in life, where you want to get better. You know, your, your weaknesses, your tendencies and it's kind of like you begin to heal yourself. Is what he's there for, to kind of help you heal yourself. And I learned so much about myself. I learned, you know, that I've always wanted, I've always, and like a very empathetic person where I, I really not a people pleaser, but I really don't like when anybody's upset at me or I really feel when somebody's going through something and kind of what I learned with this is that I had to sort of, not distance myself but still have those feelings, but realize how much of that I was going to allow to be my energy of the day. You know? Like I could still have those feelings, but at the end of the day I needed to be able to stand up for what I believed in. Somebody you know, um, didn't like something or got their feelings hurt like I've learned now that like I just now tell them like honestly, like, I'm really sorry if that happened that’s so not what I thought this is, you know? And it makes me feel so much better because I'm being true to myself. And also I feel like when you do tell the truth and get it forward, the problem just goes away that much faster. So I think, I think in this whole thing, I just kind of learned how to be a little bit more Mmm. Like real with myself and my own feelings. And I think that in the end that kind of like also helped the healing.
Oh, okay. Would you say that that might've been like the brighter light at the end of the tunnel? Like you maybe went into this injury being injured in another area and then this injury somehow wound up healing both.
Of course. Actually the first day he always reminds me that when I went in I said, you know, I had a back injury. You know, my body has been pretty good to me for as long as I've been dancing. And the only other injury I had was a back thing when I was 18 and I felt like from that injury, what I said in our first meeting was I came back such like more of an artist, like I was more mature, I was able to be more vulnerable. And I said, you know, I'm wondering what this one is going to bring, you know? And Mmm. The other day I said to him, I was like, I really just feel like I'm a different person. Like a better version of myself and I'm able to say what I feel a little bit more and not keep it so bottled up and I just feel like I'm more open and I was always warm, but I feel like I'm able to receive things a little bit easier now.
Oh, I love this phrase. What will this bring to me? Like even an injury, I think, you know, I, I struggle with patellar tendonitis in my knees and when I have that pain or when I'm going through, even when I'm training, like when I'm doing PT, my thoughts are like, ah, I don't have good knees. I don't ha, I'm like, I'm without good knees. Instead of thinking, what will this like, how is this actually an active experience instead of how is this taking away from something that I think should be fine and working perfectly with what we do? Are you kidding? Of course knees will be wonky and backs will be out in all the things like, Oh man, what we do is unnatural. So it makes sense that we experience unnatural pain at times. And I really love that thought. What, what will this bring me? And I love what it brought you, this sense of self, um, and this idea that you can still be empathetic and a person that's warm and a person that cares without carrying all of that.
Yeah. And I think I also just um, yeah, I kept worrying like, Oh my gosh, when I come back everybody is going like be judging me and what am I not going to move my neck the same way? And I finally came the conclusion. I was like, I am a different dancer. It's okay. I'm going to be a different ballerina. But like that doesn't mean that it's the wrong kind. Like I'm going to be a different, Tiler and I might have to do you think a little bit differently and be a little bit smarter when it comes to the way I move my neck. But I'm going to enjoy it and love it that much more for being out there again, when they told me I would never be, and at the same time like maybe it's going to bring a different and better quality to my dancing.
And do you think it has?
I do think it has even, it's funny. It's like I did full length Swan Lake. I mean literally they told me and I was never going to dance and then we just had this season and I did full length Swan Lake and like I got there and I said, I'm on. I was like, I didn't just get through it like I was DANCING, I did it, I was moving. But yeah, you know, I did. I did. There were things I couldn't do. Like I can't jump every day because it's bad for the my neck still. So I would really waited to do it till the show to do all of my jumps. That was the first time I did everything and I got through it. But you know, there are things now that I just have to deal with and it's okay, you know? But yeah, I do think it is. And sometimes I think, Oh, might not look that good. And then I watch a video and I'm like, Oh, I'm moving my body. I'm moving my neck. Not so bad.
Yes. I love that. We can't go back. Like you won't be the Tiler that was Tiler before you hurt your neck or your back, but you might be better. So keep going. You must go through that like cause it, it could truly be better on the other side.
Yeah. I just kept getting stuck and then I was like, why am I so concerned about that? Like I'm just going to be the different Tiler and I'm going to be happy in that.
Oh, that's so great. I am definitely happy when I watch this Tiler previous Tiler also was, but watching you dance, especially lately, even just watching you teaching your class, there is a sense of Mmm. Freedom and joy that I'm just like, even in a routine task, like a, uh, you know, rond de jambs we're just doing the rond de jambs. We're checking to make sure that all of the all of the things and all the gears and all the nuts and all the bolts are working. But it looks somehow liberating freeing and fun. And it's incredible to watch. It's been very fun taking class with you. I would have never for the record, um, walked into a studio in New York and taking class with you. Cause it's all the things that we hold in our heads, but like who does the thing so, so, so good. Um, and then to put yourself in the room next to them, it can be very, uh, intense. So there is a lot of, from the comfort of your own home happening right now. And I hope that a lot of people will progress and find, Mmm. A foothold into a world that maybe they might have otherwise been too afraid to step into. Mmm. Yeah. I, I don't mean to say that I'm afraid of ballet. Um, it's certainly not been my favorite style. I remember being competition kid crying, actually hot tears down my face during Adagio and I probably still would if I really got into a tough one.
Isn’t it funny! Adagio has always been my favorite and I, and I think it's the thing, kind of the worst at.
No, that makes sense actually to your lean in personality. Like I didn't just want to become an okay ballerina. That was okay. Taking class with ballerinas. No, I'm going to be the principal ballerina from injuries dancing, full swan lakes.
You know, it's been so great with these classes. It's like, I think because it's like at a certain time every day, you know, that people really build in their lives. I wouldn't get to teach half of these people, if I were going around studios or something, I would never reach the people that I'm able to. Yeah. I think yesterday like, or 15,000 people were taking class.
Its amazing! Yeah. Any knowledge that I have passed it on to them and the one hour a day at 10, you know, Pacific standard time or whatever. That's so exciting.
Right. There's not, uh, uh, uh, a classroom big enough to have that ballet class. The only a place that we could do that is on the internet is incredible. I'm so glad that we're using it for the for good. Um, but that does beg the question. Um, is there a downside of this social media training stuff?
I do think and what I've noticed, cause I'm asking people to like hashtag turnout Tyler's that I can see, see the videos because I don't like the one thing I don't like is not being able to see the people that I'm teaching, because, and it was really good for me because now they're all sending the video, then I'll like send them back corrections. But I also seen, um, the variety of people taking the class. So then I realized three days into like, I need to be making a beginner combination and an advanced one for every single um, combination because I don't want the little ones that aren't up to the advanced level to be trying to do something that their bodies are not ready for. You know? And so that's, that's the one thing if you were like super hands on, right? Yeah. What the, what your students are ready or not ready for throwing a class out that you would want to take and it might not be a great thing for everybody. Yeah. That's, yeah. So that's why I'm like, make sure and send your videos. And then like today, a little girl sent it and I was like, that's not a high enough passe. And then she's in another video or photo back then I was like, that's right. You know, because I do think it's important that they're not just taking these classes and doing their technique wrong, you know, so, so that's the one downside I think.
Cool. I appreciate that. I love that. Um, okay. Speaking of downsides, um, what do you consider to be downtime? Like is this downtime, are you working? What's your attitude about downtime? Do you have it between acting, choreographing, a clothing line, being a ballerina? Like does that exist for you or what's your, what's your, what are your thoughts around downtime?
Okay. Anybody who knows me really well would probably laugh because they're like, you don't know how to have downtime, but I will tell you, I do love sitting in front of the TV and watching movies. And last night my family, we all watch together, dirty dancing, all six feet apart and it was just something I grew up watching and it was so amazing and my dad got so excited. My dad was like, I think we should all pick our favorite movie. He was like, cool, I want on the phone and he went into the other room and he brought back like ghost, sister act and something else. I was like, dad, yes. I could just tell. This is the first time I've been dancing I guess professionally since I was like six. I think that's when I had my first commercial and honestly I've been home now I think for eight days and it's the first time I've ever been with my family. Like today, we went on our first walk together and I said, as we were walking, I was like, I'm pretty sure this is the first walk we've ever taken as a family. And they were like, for sure, because when I was younger, my grandmother drove me three hours to take class at Studio C with Dee and Tina and Dennis Casberry three hours there and hours back from age. Um, I think like seven to 11. So this is the most family time I've ever had. And so that is what I'm really enjoying and I'm trying to be like, okay, I need to get off the phone now and really just enjoy this time that I have because when would I be able to be here that much?
Right. This might be the other slight downside to the social streaming class thing is that if you have that many students in class and you're encouraging the discourse right, the back and forth, which I do. Yeah, I think that's very smart. Um, you could spend 24 hours a day giving feedback to all of those people in class and you wind up literally stuck to this thing.
Yeah. I'm like, how am I busier now than normal? And it's classes and interviews. Yeah, you know, but I said, I know the weekends, like I'm definitely not going to be on the phone and I really, really want to really just enjoy my time with my family at night. Okay, fine. I'll let you go.
Um, okay. Yes, and I so agree. I think this is a very valuable time, not just for self-work, but for those of us that are uh, lucky enough to be in it with the family, with the people actually like hands on in person stuff. Dad said to me, can we play monopoly? And I was like, you said yes three times in a row. Dad, um,
Ps has great taste in movies, dad, I really love that. I think this will be the birth of great new rituals and well, we'll remember things about this time that are truly special. I'm so glad about that. Definitely. All right. Well I do want you to get back to family time. Thank you so much for sharing this time with me. I learned a lot and smiled constantly.
Oh, I'll see you. Hopefully soon. Not sure how summer in summer intensives are gonna work out. Um, we might have a long, Mmm. A long haul ahead of us, but perhaps a reschedule or a same schedule for your event this summer. Do you want to talk about it a little bit?
It's my first summer course and basically I just had this idea because I love teaching. Obviously you can tell, but I, especially if for ballet I feel like the ballerinas don't always get a range of movement. And I think that is what it really helped me be a different kind of a ballerina. And so I kind of wanted to be how I was brought up and I wanted these dancers to get that type of training. I want them to have hip hop or funk or whatevr you want to call it. And I want him to be able have jazz. And what's funny is like, honestly, the teachers that are teaching this intercourse are either people I grew up dancing with like you or the teachers that taught me. So I'm like, it really is like, um, like Marguerite and Alex and people. I used to take classes from that I love and Mmm. So hopefully it will, all of this will pass and if not, we'll figure out something. I don't know. Maybe it will do zoom classes or something, but
Hey, we will get creative. That is what this time calls for lots of creativity. All right, Tiler thank you so much again. I will talk to you very soon.
Dana: Oh right. Talk about a myth. Oh, a meaning wind set. Talk about a meaning wind set. Everybody talk about a winning mindset rather. Jeez. Winning on winning, on winning. I really love the way that Tiler thinks about emerging different, not wrong or not worse from her injury. It honestly reminds me of episode eight and talking about doing it bright instead of doing it right. Finding the value in doing it your way and that whatever your way is is the best way for you to do it. I especially love how Tiler reframed her thoughts around the injury from being the victim to being the beneficiary. She literally went from thinking, why is this happening to me? Or why is this happening at all to how is this happening for me? What could this bring to me? And that's something I think we could all use a little practice working on right now. So let's get to work. Grab a pen, grab a piece of paper and think of a topic, a circumstance. Maybe it's the Corona virus, maybe it's lock-down, maybe it's training at home. Now dump all of your thoughts about that topic onto the page. But first split the page, hot dog style. On the left, we're going to keep all of our negative, dark, nasty, big, ugly thoughts. We'll call it big ugly column. And then on the right we'll put all the positive captain brightside, we'll call it the bright and beauty column. Now for every negative thought, I want you to write two positive ones. Since our brains are wired to care about disease and danger to keep us alive, this might be challenging. So I'll help you by giving a couple examples.
Big, ugly thought. People are dying. This is true. Bright beauty thought. People are coming together. People are caring for each other. People are fighting to keep each other alive.
Let's take another big ugly thought. Um, I could get sick. I could die. Bright beauty thought, let's go with the obvious one. You could also not get sick. You could live to be a hundred. It's a possibility. Uh, let's do one more big, ugly thought. Um, I'm going to lose my job and run out of money. Bright beauty thought I cannot lose my talent and I will not lose my training. Prepared with those things and my bright mind, I can make more money. Notice I'm not encouraging you to delete or resist big uglies. They are worthy of your attention and they are valid, especially right now. I guess I'm simply encouraging you to spend equal air time on the bright beauties, the winning thoughts, if you will. I will leave you with that for today, and also I will leave you with my new tagline. Stay safe, stay soapy and stay funky.
Thought you were done. No. Now I'm here to remind you that all of the important people, places and things mentioned in this episode can be found on my website theDanawilson.com/podcast finally, and most importantly now you have a way to become a words that move me member, so kickball, change over to patreon.com/WTMMpodcast to learn more and join. All right, everybody now i’m really done. Thanks so much for listening. I'll talk to you soon.
Brought to you by Dana Wilson of Words That Move Me with Dana Wilson